It reminded me of Kabuki theater. Most film noir plots do have defects in them. The series 55th Cong., 3d sess. Determined to find the men who did the robbery and framed him for it, he picks up their trail and follows them to Mexico. Good job turned in by all concerned. University of Missouri-Kansas City Libraries,
Data from 55th Cong., 3d sess. Only the sappy resolution in the conclusion disappoints (which was likely studio-imposed, just to temper the hard-edge of the film; see also FOLLOW ME QUIETLY). John Payne is a textbook noir guy -- just out of prison, tormented, misunderstood and kicked around by the cops (who do not come out smelling good in this story) and a terrible trio of criminals. All of the heavies were good, but I particularly liked Van Cleef and Brand (the latter with his magnificently pock-marked face). A must-see for lovers of the genre. Kansas City Museum Foundation a 501 (c )(3) nonprofit organization that supports the Kansas City Museum and is the City’s partner on the restoration and renovation of Corinthian Hall. John Payne stars in "Kansas City Confidential," a 1952 noir also starring Preston Foster, Colleen Gray, Jack Elam, Neville Brand and Lee Van Cleef. | It isn't as well known as other films by Phil Karlson, such as THE PHENIX CITY STORY or WALKING TALL, but for my money it's better than either of them. Its atmosphere is predictably grim, tense and threatening and almost everyone involved in the story is either completely evil or at best, morally compromised. His crew always wears masks so no one "except for Foster" knows the identity of anyone. full. Speaking of casting, Preston Foster really delivers in a sly role that runs the gamut from tough-talking mastermind to nice-guy fisherman, all in convincing fashion. Phil Karlson directed the film with his trademark paranoid edge, and the high contrast black and white photography makes the movie if nothing else a pleasure to watch. The framed-in, claustrophobic scenes actually made me short of breath. Kansas City Confidential is one of my favorite noir films and films of John Payne. Embed this data in a secure (HTTPS) page: Creative The Kansas City Museum is owned by the City of Kansas City, Missouri and managed and operated by the City of Kansas City, Missouri Parks and Recreation Department. The widgets are aplenty at airfields across the U.S. as Delta Air Lines has temporarily parked 325 of its 874 mainline aircraft at the end of March and expects to … The health and wellness of our patrons, visitors, staff, and volunteers is always a top priority. It reminded me of the Sopranos episode where Tony & Co. killed Big Pussy. University of Missouri-Kansas City Libraries. But for John Payne in Phil Karlson's Kansas City Confidential, it gets him framed for a million-two robbery. Director Phil Karlson had an affinity for lean, tight, tough little crime thrillers ("99 River Street," "The Phenix City Story,") and he did several excellent ones with John Payne, this being one of their better collaborations. It stars John Payne, Preston Foster, Coleen Gray, Neville Brand, Jack Elam and Lee Van Cleef. My favorite piece of dialog is when one cop says to Payne's character, Rolfe, "... left school to enlist with the engineers. Executive B, pt. Click on image to learn more. A tense noirish crime drama with fine acting and a nicely twisted plot. I like them because they are so gritty and realistic in their blunt portrayal of crime. This is a nifty film noir that is a must for fans of the genre. Find out who's a rat by searching our snitch list containing information about snitches, rats, and informants from our database. "Kansas City Confidential" is a superior crime drama with a good story, interesting characters and plenty of action. Executive B, pt. The scene on the boat at the end is classic, and probably the prototype for subsequent scenes in other movies and TV shows. External Reviews His somewhat vague personality and amiable nature make him a more agreeable character than the putative hero of John Payne. All time schedules timed to the minute of the armored car. Check this one out. Add to that extraordinary film noir visual effects. Timothy Foster, forced into retirement as a cop. Another plus is the generous showcases given to classic bad guys Lee Van Cleef, Neville Brand and Jack Elam, all so early in their careers. Watch and find out and you will be surprised by the ending. Given the homicidal nature of Lawrence Tierney in BORN TO KILL, Walter Slezak would probably not try to blackmail him and Claire Trevor.
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