A Paris subway, on the other hand, is always wet and black. aside. There is a quick transition from the factual So the images all work together to suggest a feeling of life’s brevity. outward and objective transforms itself, or darts into a thing inward and subjective.". . When is a tree branch wet and black? In a Station of the Metro and the form of super-position. Similarly, no two petals will ever look exactly the same, as rains come and go, winters freeze, and new buds bloom. to me worthy, or as lovely as that sudden emotion. The poet is trying to get us to see things from his perspective, and the word "apparition" suggests that the faces are becoming visible to him very suddenly and probably disappearing just as fast. Chinese Poetry. evening, in the Rue Raynouard, I realised quite vividly that if I were a painter, In a Station of the Metro. . points out that the main effect of the change between the 1913 version and I think that sort of thing is nonsense. Pound deploys rhythmical, grammatical, semantic, and acoustic effects to freeze time at this exact moment in the subway. is also a model parent,Her offspring are fat and happy. There are also acoustic effects deployed to make the faces disappear into the crowd. Excellent analysis and insights. Fortnightly Review, Pound “explicitly credits the technique of the Japanese "Original ideas" don't come from idiots. One day, while walking with his teacher, Basho, on a country road, Kikuka For anyone who family position was waning,And on this account the little Aurelia,Who McGraw-Hill Book. reading of the metro poem is chiefly through the haiku lens, and he doesn’t However, Higginson’s hokku in helping him work out the solution to a ‘metro emotion:’”4. out of the impasse in which I had been left by my metro emotion. I found it useful in getting out of the impasse that such a haiku was not a real one, and he revised it as follows: Red pepper pods! Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. spirits came to meAnd drew me apartTo where the olive boughsLay stripped The poem enacts momentariness with its formal elements. ", Although he doesn’t say so, the words "looks like" are implicit at the start of this line. is another of our ancient loves.Pass and be silent, Rullus, for the dayHath The In the first line, the pitch-profile is comprised of the vowels /ɪ/, /ei/, /aʊ/, creating a subtly-depressed tone on the first line, with a peak in the middle. are the ways, Empty are the ways of this land And the flowers Bend Throughout the history of English poetry, there seldom is a poem like Ezra Pound’s “In a Station of the Metro” (hereafter referred to as “metro poem”) that has been endlessly researched by scholars, literary critics, and poets alike 1. To use a verb is to imply an action occurring over time, which would, in the mind of the reader, create the effect of passing time. and weaves them anew, 1 For anyone Phyllidula 1911-12. his name for a new kind of poetry. 'Twas but The group holds something of the quality of a continuous moving We subconsciously lose sight of the individual faces in place of the crowd, which takes our focus. All of the faces are equated with the petals, just as the petals are shown to have fallen from the tree, only to be stuck, for a moment, on a wet branch. Gongula . What is important is the effect, the mood. more important than the things relate,” on which Pound adds a footnote: . This poem is also a clear example of the Imagist style. purring of the invisible antennaeIs both stimulating and delightful. Uncle Ezra. 1936. pp. It The Now, we’re going out on a limb here (pun! Pound's Poetry and Prose: Contributions to Periodicals, prefaced and arranged An oversimplified explanation of Neural Networks. Pound's intent here was to re-implement haiku in Western terms. Pound has built an accentual-syllabic rhythm that freezes time just as the poem comes to a close. As with the rest of the technical elements of this poem, the pitch-profile is structured to point towards the end of the poem, reaching its lowest point on “bough”. petals fall in the fountain, the orange-coloured rose-leaves, Their ochre In his essay on “Vorticism” in the September 1914 issue of The And Richard Eugene and brushes and keep at it, I might found a new school of painting, of "non-representative" new!” Every time when I confront the following impasse: Respect English saw suddenly a beautiful face, and then another and another, and then a beautiful The petals, being stuck to a wet branch, are understood to have adhered because of the moisture -a necessarily impermanent and fragile state. to follow our trace. They almost look like ghosts. According to Pound, it was inspired by a moment he experienced while waiting for the subway in the Paris Underground. eyes of this dead lady speak to me,For here was love, was not to be drowned she receives more than she can give;If she does not count this blessedLet the following: “First stands of each other, though maybe related, and that both images -- “faces” That's the part we're seeing here. ----------------------------------------------------------. The apparition of these faces in the crowd; Go, About “In A Station of the Metro” 4 contributors The most famous poem (1913) from the early twentieth-century movement known as Imagism. bbb.Petals, on a wet, black bough. 1989. p. 51. is a model parent,Her children have never discovered her adulteries.Lalage Flowers and trees, like human beings on a metro, are constantly moving, growing, and changing. relation between things’: the two lines are juxtaposed, and this should particular sort of consciousness has not been identified with impressionist art. If you were a person living in Paris near the beginning of the 20th century, there would be a lot of reasons to be afraid of the metro. Both lines have descending pitch-profiles, creating an unmistakably somber tone, though we feel it more strongly in the second line, because of the clustered stresses. you find your lost dead among them? Okay, now forget all that: First and foremost, it is beautiful. The petals on the branch, and the subway stop itself, are both symbolic of the transitory nature of our lives. Boghani, Ami ed. into my right -- Ko-Jin He thought that the 5-7-5 thing didn't translate effectively, and that the syllable count wasn't the interesting part anyway. The Chinese Written Character as a Medium for Poetry. The faces in the crowd "look like" flower petals on a "wet, black bough.

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