The movement is being constantly driven forward with the triple figures in the flute part. Ann Arbor: ProQuest. Shortly afterwards he was elected to the Académie des Beaux-Arts.[2]. He wrote a similar concerto for the saxophone in 1935. W. A. Mozart: Flute Concerto No. ", "Entr'acte, for flute (or violin) & harp (or guitar)(from "Le médecin de son honneur"). 1 Oct. 2016. He was the sole composer of four further ballets between 1934 and 1954. Browse: Ibert - Concerto for Flute & Orchestra This page lists all recordings of Concerto for Flute & Orchestra by Jacques Ibert (1890-1962). The early orchestral works, such as Escales, are in "a lush Impressionist style", but Ibert is at least as well known for lighthearted, even frivolous, pieces, among which are the Divertissement for small orchestra and the Flute Concerto. His first work composed expressly for the ballet was a waltz for L'éventail de Jeanne (1929) to which he was one of ten contributors, others of whom were Ravel and Poulenc. L'Aiglon, composed jointly with Honegger, employs commedia dell'arte characters and much musical pastiche in a style both accessible and sophisticated. Flute Concerto (Ibert) was written by composer Jacques Ibert in 1932. Ibert's Concerto was dedicated to Moyse, who didn't play it often. The end of the cadenza quickly transitions into a reprise of the first movement ending the piece hurriedly but in a satisfying way. In fact, the work lay neglected for many years due to its perceived difficulty. 6: The French Tradition. Ibert's stage works similarly embrace a wide variety of styles. Concerto for Flute and Orchestra. Throughout, the flute … Teamed with Spanish conductor Jaime Martin, a past flautist himself, she dazzles most brightly... Bryan certainly has complete mastery of the [Rouse's] technical and expressive demands, as she does in Ibert's Concerto of 1933...Her playing of Debussy's Syrinx, the ne plus ultra of the solo... Ibert: Divertissement, Escales, Flute Concerto & other works, Ibert, Nielsen, Bernstein & Martin: Flute Concertos, Devienne, Saint-Saens & Ibert: French Concertos. The longest of the work's three movements is the last, a jazzy Allegro scherzando with a virtuoso solo cadenza; this Finale is such a challenge for flutists that it became a test piece at the Paris Conservatoire. The Allegro Scherzando follows a type of rondo format. Concerto for Flute and Orchestra. After less than a year, his health obliged him to retire. Far from being superficial, or even lightweight, Ibert’s Flute Concerto is densely textured (despite the reduced orchestra) and thematically and harmonically intricate. Ibert was born in Paris. AndanteIII. As a composer, Ibert did not attach himself to any of the prevalent genres of music of his time, and has been described as an eclectic. The first one, Allegro, is challenging with a rapid suite of sixteen notes followed by a theme more lyrical. This concert will take place without an audience and will be broadcast live in the Digital Concert Hall. And Ibert combined them with a high degree of musical charm that speaks directly to … The opening Allegro is based on a perky first theme with a neoclassical shape, and a slower, more languorous second theme. Allegro scherzando, Difficulty: Advanced – appropriate upper college undergraduates and master students. Hector Berlioz. "[2] The early orchestral works, such as Escales, are in "a lush Impressionist style",[5] but Ibert is at least as well known for lighthearted, even frivolous, pieces, among which are the Divertissement for small orchestra and the Flute Concerto. Recordings:James Galway, Royal Philharmonic Orchestra & Charles Dutoit. His publisher Alphonse Leduc commissioned two collections of piano music from him, Histoires and Les Rencontres, which enhanced his popularity. The second movement brings back the lyrical theme of the first in the orchestra with a light, floating line in the flute.

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