Some have been investigative enough to do Freudian psychoanalysis of the way Shivagami looks at Bahubali, but mainly it is about findings reasons as to why being so pro-Hindu is not really ok. The royal ambitiousness is balanced against selflessness. Published 1912 Retrieved April 30, 2017 from. The Dasharupakam comprises four chapters, termed as Aloka. Combined with an epic story, tending to virtue, wealth, joy and spiritual freedom, it must contain the significance of every scripture, and forward every art.—Nātyaśāstra 1.14–15. Baahubali 2: The Conclusion is a failure of the imagination. Thereby showcasing an example where one make every effort for four worthy goals (Purusharthas) of life as per Indian civilization. It does balance the wants with the contentment. Retrieved April 30, 2017 from, Baahubali 2 Review: Rajamouli keeps winking, and we keep falling for it. Is there a framework to analyze the cinema or theatre? The makers have to provide cinema with bhava which helps audience develop a taste for ethical and socially uplifting practices. Art should promote the four purusharthas – dharma, artha, kama, moksha. Its purpose is to promote the four Vedas just like Upanishads, Bhashyas and Puranas do. The eagerness to capture throne is balanced by the eagerness to serve the people even outside the royal palace. Analysing based on Story (vastu), Neta (hero) and, The Hero Amarendra has sattva, rajas and tejas, and can be classified as type, Natya Shastra (with English Translations) by Bharat Muni Translation by Manomohan Ghosh M.A., Ph.D. Published by: Asiatic Society of Bengal, Calcutta 1951. It provides enjoyment to those seeking pleasure, solace to people in grief, calmness to the worried, energy to brave ones, courage to cowards, eroticism to those who want company, enjoyment to the rich, knowledge to uneducated, wisdom to the educated. By Sreehari Nair Accessed April 30, 2017 from, The Dasarupa; a treatise on Hindu dramaturgy. Each serves a purpose and the aesthetics should be judged in totality by the effect these produce. Limited to class struggles and little more than that, it fails to tell the audience what is to be appreciated in order to grow culturally, emotionally and spiritually. They are all complimentary in furthering a sustainable civilizational narrative. The question then to be asked while critiquing any theatrical performance is this: Does the performance, in this case Bahubali, promote civilizational values of harmony and Sanatana dharma or not? Art should promote the four purusharthas – dharma, artha, kama, moksha. Can secularism meet its end in India, that is Bharat? Let me make very basic comments on Bahubali according to Dasharupa, a treatise on Hindu Dramaturgy by Dhananjaya and try to explain few things that need to be appreciated in it: One can delve into much more detail into analyzing the rasa, the plot elements, the dance styles, the song styles, the bhava, the types and manners of courtesans and the attendants, the kinds of love, the progression of story, the type of romance, the type of transitory states and so on, from each part of the movie. Natyashastra is also regarded as fifth Veda. Bharata's Natyasastra names ten forms of drama (Dasarupaka). He also develops the theory of rasa in poetics. What are the elements of sensible cinema? Notwithstanding the fact that Bahubali includes some strange, unexplainable stunts and moments, it scores on all other points listed above. Chapter 6 and 7 of Natyashastra present the rasa theory on aesthetics of performing arts. Copyright IndiaFacts Research Centre - 2015, https://archive.org/stream/NatyaShastra/natya_shastra_translation_volume_1_-_bharat_muni#page/n1/mode/2up, https://m.rediff.com/movies/report/baahubali-2-review-rajamouli-keeps-winking-and-we-keep-falling-for-it/20170428.htm, https://ia800806.us.archive.org/10/items/Dasarupaka/dasarupaka_english.pdf. Its purpose is to promote the four Vedas just like Upanishads, Bhashyas and Puranas do. Rasa not FOE is the aim of Natya.” Thus the purpose of natya, or any other art is much more than what couple of ‘-isms’ dictate. Taking drama to be a personal affair one need not go by the shastra, but making natya for masses and as responsible art, one should adhere to the guidelines discussed in the shastras. Published by: Asiatic Society of Bengal, Calcutta 1951. Dasharupakam (Daśarūpakam) is a treatise on Sanskrit dramaturgy, written by Dhananjaya in the 10th century AD. Notwithstanding the fact that Bahubali includes some strange, unexplainable stunts and moments, it scores on all other points listed above. [2] The writer has confined himself to a deep understanding of the ten types of Sanskrit dramas based upon the elements of Vastu (plot), Neta (heroes/heroines), and Rasa (the emotive aspect of plays). Arts must be elevating as they have to be pursued manasa, vacha, karmana. What is sensible cinema? This is also how movie reviews are done routinely. These are only subjective reviews, and none of the reviews go beyond the external technical and superficial “-ism” based analysis. The rasaanubhuti one experiences upon watching a theatrical performance is based on his or her pravritti. Natyashastra is the most detail and elaborate of all treatises on dramatic criticism and acting ever written in any language and is regarded as the oldest surviving text on stagecraft in the world. The question then to be asked while critiquing any theatrical performance is this: Does the performance, in this case Bahubali, promote civilizational values of harmony and Sanatana dharma or not? The eagerness to capture throne is balanced by the eagerness to serve the people even outside the royal palace. Most of the analysis of aesthetics in Bahubali by reviewers from MSM is limited to comments on virtual reality effects or characteristics of some characters from movie. Just as Shri Rama is sthira-chitta, while leaving for vanavasa, Amarendra Bahubali and Devasena are too shown renuncing it all when the situation arises. The purpose of natya or theatre is not to accommodate anything or everything. As one of the foremost theatre theorist Dr. Bharat Gupt puts it: “Natya creates an elevated knowledge of the universe, over and above the ideas and philosophies which are temporal, and while doing so it provides a highly elevated experience called rasaanubhuuti. This is also how movie reviews are done routinely. But the rasa one experiences is summation of Vibhava, Anubhava and Vyabhichari Bhava. IndiaFacts Webinar: Hinduphobia on Wikipedia, Know Who the Real Fascists Are: The Harsh Mander Video, The Bhattacharjee Chronicles – I: How to Take Over a Country and Reformat its Civilisation, Not Oppressed: A Statement of Shudra Pride. Baahubali 2: The Conclusion is a failure of the imagination. It is one of the creative tool, a gift from Brahma to Indra, a liberal method of promoting harmony, Sanatana values and sustainability. (George Christian Otto), b. They are all complimentary in furthering a sustainable civilizational narrative. A truly sensible movie is one piquing interest of the audience, invoking the intended rasa and making them search ethics and dharma in their daily lives. While Bhava creators are generating, Vibhava is the cause, Anubhava is its consequence. Dasharupakam's main contribution to Sanskrit dramaturgy is a detailed analysis of the different types of heroines (Nayikabheda), and a critical delineation of erotic sentiment (Shringara Rasa). We have to start training our minds to be attentive, understand what we watch and demand sensible cinema from the makers. Natyashastra is also regarded as fifth Veda. Dasharupakam: Dasharupakam (Daśarūpakam) is a treatise on Sanskrit dramaturgy, written by Dhananjaya in the 10th century AD.The author is indebted to Bharata’s Natyashastra. The movie through its plot elements – karya – is promoting the ruler class to follow its Kshatriya dharma. There are few other reasons listed, but most reviews are about this: Bahubali fan reviews are about unapologetic and fantastic portrayal of Hindu rajyam, and those who did not like Bahubali have reviewed Bahubali 2 negatively due to the portrayal of ‘only’ Hindu rajyam. (George Christian Otto), b. Madhav Gadgil: Madhav Dhananjaya Gadgil (born 1942) is an Indian ecologist, academic, writer, columnist and the founder of the Centre for Ecological Sciences, a research Ritika Sharma works in Pharmaceutical industry and is a Management grad. [3][page needed], https://en.wikipedia.org/w/index.php?title=Dasharupakam&oldid=987239149, Articles with unsourced statements from February 2007, Wikipedia articles needing page number citations from June 2018, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 November 2020, at 20:00. 1883. Taking drama to be a personal affair one need not go by the shastra, but making natya for masses and as responsible art, one should adhere to the guidelines discussed in the shastras. Drama is that art which accepts human beings are in different inner states when they arrive as audience. For a natya to be a classic, it has to go beyond these temporary and short term fads and promote eternal values. Arts must be elevating as they have to be pursued manasa, vacha, karmana. In Bahubali, in my opinion, the veer rasa is dominant, sthayi bhava (permanently dominant) is Utsaha (enthusiasm) and Vyabhichari (or transitory) bhava that are 33 in number have been explored in detail at various stages in the movie. The purpose of natya or theatre is not to accommodate anything or everything. The idea of providing people what they demand has to go. Published 1912 Retrieved April 30, 2017 from. Arts are not for short term enjoyment, they for Indics, form essential part of living. Judiciously striving for material pursuits (artha), use of technology for better results in public and private matters, animal rights, prosperity of native breeds, expansion of polytheism, luxury and pleasure seeking behavior (kama), wish for a noble progeny, promotion of aesthetics in architecture and many more worthy goals of life are explored in the movie. While Bhava creators are generating, Vibhava is the cause, Anubhava is its consequence. Judiciously striving for material pursuits (artha), use of technology for better results in public and private matters, animal rights, prosperity of native breeds, expansion of polytheism, luxury and pleasure seeking behavior (kama), wish for a noble progeny, promotion of aesthetics in architecture and many more worthy goals of life are explored in the movie.

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