Amplification is a little similar to parallelism: by using repetition, a writer expands on … Learn exactly what happened in this chapter, scene, or section of A Room of One’s Own and what it means. Repetition of a prominent and usually the last word in one phrase or clause at the beginning of the next, A literary technique that involves interruption of the chronological sequence of events by interjection of events or scenes of earlier occurrence : flashback, Repetition of a word or expression at the beginning of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect, we cannot dedicate—we cannot consecrate—we cannot hallow—this ground, The repetition of a word within a phrase or sentence in which the second occurrence utilizes a different and sometimes contrary meaning from the first, we must all hang together or most assuredly we shall all hang separately, The usually ironic or humorous use of words in senses opposite to the generally accepted meanings, The use of a proper name to designate a member of a class (such as a Solomon for a wise ruler) OR the use of an epithet or title in place of a proper name (such as the Bard for Shakespeare), The raising of an issue by claiming not to mention it, An expression of real or pretended doubt or uncertainty especially for rhetorical effect, to be, or not to be: that is the question, Harshness in the sound of words or phrases, An inverted relationship between the syntactic elements of parallel phrases, A disjunctive conclusion inferred from a single premise, gravitation may act without contact; therefore, either some force may act without contact or gravitation is not a force, The substitution of a disagreeable, offensive, or disparaging expression for an agreeable or inoffensive one, greasy spoon is a dysphemism for the word diner, Repetition of a word or expression at the end of successive phrases, clauses, sentences, or verses especially for rhetorical or poetic effect, of the people, by the people, for the people, Emphatic repetition [this definition is taken from the 1934 edition of Webster's Unabridged dictionary], An interchange of two elements in a phrase or sentence from a more logical to a less logical relationship, you are lost to joy for joy is lost to you, A transposition or inversion of idiomatic word order, The putting or answering of an objection or argument against the speaker's contention [this definition is taken from the 1934 edition of Webster's Unabridged dictionary], Understatement in which an affirmative is expressed by the negative of the contrary, The presentation of a thing with underemphasis especially in order to achieve a greater effect : UNDERSTATEMENT, A figure of speech in which a word or phrase literally denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them, A figure of speech consisting of the use of the name of one thing for that of another of which it is an attribute or with which it is associated, crown as used in lands belonging to the crown, The naming of a thing or action by a vocal imitation of the sound associated with it, A combination of contradictory or incongruous words, The use of more words than those necessary to denote mere sense : REDUNDANCY, A figure of speech comparing two unlike things that is often introduced by "like" or "as", The use of a word in the same grammatical relation to two adjacent words in the context with one literal and the other metaphorical in sense, she blew my nose and then she blew my mind, A figure of speech by which a part is put for the whole (such as fifty sail for fifty ships), the whole for a part (such as society for high society), the species for the genus (such as cutthroat for assassin), the genus for the species (such as a creature for a man), or the name of the material for the thing made (such as boards for stage), The use of a word to modify or govern two or more words usually in such a manner that it applies to each in a different sense or makes sense with only one, opened the door and her heart to the homeless boy, recant

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